Here’s a row of young men of proud, slender stature and dark, refined features, their faces tattooed and painted, surrounded by elaborately braided hairdos. They wear variously blue-checkered long tunics, their pant legs edged with embroidered graphics. They carry a long shephard’s stick over one shoulder, display layers of beaded necklaces and other multi-coloured decorations … Continue reading With the Wodaabe nomads in southern Chad
Some people emphatically state ‘I can’t draw’ and that’s mainly because, they say, they ‘couldn’t draw a straight line.’ But that’s good, I respond, straight lines are for architects! For quick sketching, they’re unnecessary and possibly boring, too; my sketched buildings would never pass the engineering test. They tend to look either rickety or keeled … Continue reading Teachers & Influencers in Drawing #4: Paul Hogarth
(This story was published in the Ormsby Review earlier this year, but by posting it again on this blog it means to celebrate the current Vancouver Jazz Festival which, due to the ongoing crowd restrictions and border closures, will still largely be streamed online, spotlighting our best local musicians instead of international stars. The story … Continue reading Readers of History, and all that Jazz
San Francisco, summer 1974 – a Vignette: I want to cross the street, stand on the corner of the intersection waiting until the only vehicle in sight passes: a public transit bus. Dressed in my hippie best of long jeans skirt, Biba-of-London top and sandaled feet, I feel the need to show off how amazingly … Continue reading Black & White, and all shades in between
Here’s a challenge for you traveling urban sketchers out there: Be brave, try drawing exquisite St. Peter’s Square in Rome! Don’t balk at the architecture though, which is so maddeningly complicated you may well break your pencil in half and reach for your camera instead. But don’t do that! Go on, fit everything you see … Continue reading Teachers & Influencers in Drawing #3: Franklin McMahon
Here’s a crazy guy. Look at these drawings! I wonder what he was like in person, was he as obsessive as his frantic drawing style suggests? His mile-a-minute brain in action, observation skills in fourth gear, his pencil never leaving the paper, one continuous line all over until the sheet is filled with lively figures, … Continue reading Teachers & Influencers in Drawing #2: Felix Topolski
I was not happy at Art School in the late ‘sixties. The obsession with then-current edge Abstract Expressionism did not interest me at all: I was already into drawing from ‘real life’ at that time and still am now. So I didn’t feel I belonged. I was never very good at facing a blank canvas, … Continue reading Teachers & Influencers in Drawing #1: Otto Dicke
Try to imagine: a ‘Bierstrasse’ restaurant as big as a football field in the midst of Harlem where you can get beer, sausage and kraut delivered to long wooden tables while Japanese jazz-organist Akiko Tsuruga plays with our very own Cory Weeds, of Cellar and Frankies’ fame, on saxophone! It’s all true. Cory never fails … Continue reading New York: Jazz with Cory Weeds
At an ‘oldies’ concert in the ‘eighties, I experienced the sound of the stratospheric falsetto voice of a male singer for the first time, live and in action. I had heard it before of course, having come into ‘musical awareness’ in the early ‘sixties, shortly before the Beatles came out. We had just entered high … Continue reading Men, singing window-shattering High Notes
Graphic novels and ‘comics’ storytelling represent a growing genre in publishing these days. It includes not only the familiar sci-fi and criminal strip cartoons with their extreme foreshortening of hands and feet and their Baaaam!!! Flash*!# Aargh!* constantly exploding balloons, but serious literature too, such as for example, Proust and Kafka by the Frenchmen Stéphane … Continue reading Joe Sacco: Visual journalist
